KUHNAU TRISTIS EST ANIMA MEA PDF

After a leap down of a minor sixtheven steps lead upwards. Bachchor und Bachorchester Mainz. Tristis est anima mea responsory. Ludwig Bach even in technical qualities, it has a breadth of conception which betrays the study of the classical Italian models. Tristis est anima mea attributed to Johann Kuhnau.

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The composer follows Italian models. The harmonies are intensified, resolved in measure Legendary [Box Set] [P-1]. Tristis est anima mea was frequently recorded, including by the Dresdner Kreuzchor conducted by Rudolf Mauersberger inand by the Windsbacher Knabenchor conducted by Hans Thamm in Recorded tristks Gewandhaus, Leipzig, Germany. Arnaud de Pasquale; Organ: Throughout the piece, the composer keeps the same tempo and mood, with subtle attention to different parts and even individual words of the text.

On stylistic grounds scholars such as Rst Hellmann see chorus No. The first you will see a crowd one begins in homophonic declamation, the second which will surround me, measure 60 building with entrances in the sequence tenor, alto, soprano II, bass, soprano I, the third you will take flight, measure 70 in denser texture with two voices entering together and a repeated motif of a faster descending line. After a short rest, the second line of the text is presented in similar building, this time in the sequence from inside out: The theme of that text is Jesus in the garden Gethsemanekuhhnau his disciples.

Sacred Music by Johann Kuhnau [P-1]. Matthias Hansen MayFrits V. This piece, apparently performed by J. Rudolf Mauersberger ; Musical Assistant: Ludwig Bach even in technical qualities, it has a breadth of conception tristls betrays the study of the classical Italian models.

Hyperion Records After a leap down of a minor sixtheven steps lead upwards. The word is repeated and intensified from measure 99with a climax of the soprano ascending step by step to G, their highest note. If both attributions are correct the original to Kuhnau, the arrangement to Bach this seems the only instance of Bach adopting music of his predecessor.

Motets Music for the Holy Week Compositions with a spurious or doubtful attribution. Tristis est anima mea Johann Kuhnau Motet Tristis est anima mea []. The motet is set to the Latin text of the second Tenebrae responsory for Maundy Thursday.

Recordings — Latin Motet Tristis est anima mea. Magid El-Bushra ; Tenor: Tristis est anima mea responsory. Vocal Soloists all chorus members. Tristis est anima mea Sacred motet by Johann Kuhnau attrib. Related Posts

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Tristis est anima mea

The composer follows Italian models. The harmonies are intensified, resolved in measure Legendary [Box Set] [P-1]. Tristis est anima mea was frequently recorded, including by the Dresdner Kreuzchor conducted by Rudolf Mauersberger inand by the Windsbacher Knabenchor conducted by Hans Thamm in Recorded tristks Gewandhaus, Leipzig, Germany. Arnaud de Pasquale; Organ: Throughout the piece, the composer keeps the same tempo and mood, with subtle attention to different parts and even individual words of the text.

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Tristis est anima mea (Johann Kuhnau)

His five-part motett for Holy Thursday, Tristis est anima mea usque ad mortem, may be reckoned among the more prominent works of the kind; if it is not of equal merit with the motetts of Joh. Christoph and Joh. Ludwig Bach even in technical qualities, it has a breadth of conception which betrays the study of the classical Italian models. More recently the attribution to Kuhnau has been doubted.

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